Reimagining Design Systems at Spotify
Table Of Content
We’ve improved this for ourselves by limiting our number of active projects, and being very proactive with our internal communication. With such a system in place, it’s significantly easier to adapt to growing needs, be it a brand evolution or a new partner integration, as updates can happen at the cross-platform level and then flow outward to our subsystems. We’ll conclude this stroll sequel with our key takeaways from the past six months of rebranding and redesigning. We hope they’re helpful to anyone creating a brand and platform to represent a design community. We measure the site’s success not just through the usual metrics of employer brand growth and talent acquisition. Instead, we’re more interested in internal pride; in raising the profiles of our designers; and in helping designers develop skills such as pitching ideas, writing, editing, and illustration.
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These are things everyone should use—it’s what makes Spotify look like Spotify. Using Encore Foundation is the minimum bar for every Spotify product. John Adams’s fourth full-length opera was first performed in San Francisco in 2017. She reveals there was at least a two week process of bringing in pictures and brainstorming ideas, including a mold with a flat top, but nothing jumped out.
Spotify's first hardware ‘Car Thing’ shows up again - HT Tech
Spotify's first hardware ‘Car Thing’ shows up again.
Posted: Wed, 03 Apr 2024 07:00:00 GMT [source]
Designing Data Science Tools at Spotify: Part 2
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish. Fans have also latched onto a line in “Fortnight,” which features Post Malone, as proof that Alwyn wasn’t always faithful to Swift. The surprise double album was released in two parts on April 19, giving exuberant Swifties plenty of material to analyze — including multiple celebrity call-outs. Taylor Swift didn’t hold back on calling everyone out on her newest album, “The Tortured Poets Department,” and the reactions are rolling in. Spotify reiterated its belief yesterday that Apple is aiming to “punish developers with new fees” as part of its rules to use an alternative payment method in the EU.
A guide to everyone Taylor Swift sings about in ‘Tortured Poets Department’ — and their reactions
This requires understanding our machine learning capabilities as they relate to personalization to leverage them in a way that is engaging, simple, and fun for our users. When we introduced our design system, Encore, in 2019, we broke it out into two key segments. Encore Consumer Mobile was incredibly flexible, designed for mobile-centric Spotify experiences. In essence, it acted as a vast catalog of ever-growing and evolving UI components. Meanwhile, Encore Web catered to a broader spectrum of web products.
Released two hours after “The Tortured Poets Department” on Thursday night, Taylor Swift’s second set of new songs contains a handful of highlights. Taylor Swift released the 16-track “Tortured Poets Department” at the stroke of midnight on Friday — and surprised fans with 15 more songs two hours later. Swift’s 11th studio LP, ‘The Tortured Poets Department,’ released at midnight Eastern time, follows a busy period in the 34-year-old’s personal and professional spheres.
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The Spotify app and website offer a comprehensive, intuitive, and enjoyable user experience. The Spotify app and website have a clean, modern design consistent with the company’s brand aesthetic. Spotify’s UX design prioritizes simplicity and ease of use with a clean and minimalistic design, making it easy for users to find and access the music they want. This helps to reduce cognitive load and increase engagement for users.
Lastly, the Spotify app and website have limited customization options. Users have limited options to customize the look and feel of the app and website, such as changing the background or color scheme. There are lots of teams working on the main Spotify app, so there’s a big need for shared mobile components and patterns.
And when a recommendation is wrong, or a user just wants a different mood, we need to design mechanisms for feedback and control. At the same time, each platform has unique characteristics that we want to design for. So, how do you build a website that looks and feels the same as your mobile products or your TV experience, without losing those qualities? Generally, there are experts at designing for web and experts at mobile—and it’s very rare to find someone who’s an expert on both. Each person brings a knowledge set tailored to their respective domain.
The new playlist creation flow now includes a specialty search within the playlist page, making it easier than ever to add and curate tracks. We’ve also been able to deliver more personalized experiences to our listeners. Shortcuts on the top of Home give quick access to those favorite go-to’s and user profiles now show listening stats, so people can see their top artists and top tracks of the month. Our new foundation also allows us to build out more robust personalisation features in the future, so we can deliver a better mix of familiar and discovery content across the platform. The Desktop app had several different implementations of trackrows, while the Web Player didn't have the same functionality or richness of information. With over 45 unique platforms and 2000+ connected devices from over 200 brands - we strive to create products that fit seamlessly into the lives of our users, whether using Spotify on a TV, on a computer at work, or in a car.
We’re always trying to create more meaningful connections between listeners and creators in new and engaging ways. DJ is the perfect example of how we’re driving deeper, more meaningful connections through technology. Without design, the question often becomes, “How do we do something technically? ” For those of us working at Spotify, we understand how or why we’re programming something technically in a certain way, but users don’t understand that—nor should they have to.
While we wanted the consolidated experience to reach a desktop-level feature set as soon as possible, this new foundation also needed increased flexibility, so it could grow with our listeners into the future. Music is the heart and soul of Spotify, but we had a host of new audio formats making waves and finding their own home on the platform too. Podcasts, video podcasts, and our new Music + Talk format required more flexibility from our design patterns to truly feel integrated into the platform.
Her mural, ‘Infinite Possibilities,’ depicts New Yorkers dancing, playing, and listening to music among colorful building blocks that evoke the city’s iconic architecture. “I wanted to show the freedom of the city and the infinite possibilities that allow us to do anything,” she says. But as the ongoing pandemic sent Spotifiers home to work remotely, redesigning offices took on new importance as a way for the company’s distributed workforce to feel connected with the brand. Saving time during the design and development phases means that the team is now able to move much faster than we were previously able to. Whether it’s fixing bugs, iterating on patterns that can be optimized further, or delivering new functionality — we can now work more efficiently, without duplication, and with more sustainable design and development practices. We’re looking forward to delivering continual updates to our listeners and are eager for faster loops between receiving user feedback and being able to iterate on the experience to address listener needs.
Read on to see how Chris, William, and the team’s thoughtfulness has come to create a space where creators feel at home. The other new thing you may notice in Spotify is more personalized AI. These features demonstrate Spotify’s commitment to accessibility, making it easy for people with disabilities to enjoy music. The new Desktop app has rolled out, replacing one of Spotify’s oldest and most loved clients.
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